Real Movie Magic: The Oscars Find “Moonlight” In The End

If the Academy Awards were trying to conceive of a way to stay interesting, to keep atop the social media conversation, there were worse ways to do it. Believe me, they’ve tried — even elsewhere on last night’s broadcast. Thanks to a stunning last second reversal in the Best Picture category, everyone is talking about the Oscars this morning. There’s a lot to unpack here. (Not least of which: How did Warren Beatty end up with an Oscar in his hand as he retook the mic in the show’s final moments?) And look at that, we’ve largely set aside the award show’s more, uh, problematic elements.

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Picture Perfect Power Rankings: Is There Still Time for a Shake-up?

As we approach the very end of 2016, all of the films in serious contention for the Best Picture Oscar have been released, limited or otherwise. While I haven’t seen a few entries in this month’s top ten — owing to disinterest or a lack of access — the narratives for all of their nominations is really starting to take shape. Here we go for the final top 10 of 2016.

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Picture Perfect Power Rankings: The Oscar Status Quo

Owing to this solidification (calcification?) of this year’s Oscar story, we’ve become increasingly locked into our top ten. There are no drop outs this week (though the idea of Sully still puts me to sleep) but there was some jostling on the list. As we enter December, and the final 30 days of the Oscar contention season, this is not nothing. Here are this month’s Picture Perfect Power Rankings. Time to get serious with the status quo.

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TIFF 16: A Final Touch of the Old Magic

As always, the Toronto International Film Festival ends abruptly. One minute you’re racing from one theatre to the next, trying to squeeze in as many screenings as you can, and the next moment, just like that… it’s over. Before we collectively hibernate for the next 365 days (or something), let’s sit back and reflect on our time at TIFF. Here are five more reviews of films from the festival’s final three days.

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