It’s easy to forget sometimes that Ryan Gosling got his start in the comedic foreground. If you were a teenager in the late 90s in Canada, there’s a good chance you saw him as Sean in Breaker High, that inexplicable teen show about students on a boat. He wasn’t the strong silent type, or the cool jock — no, Gosling was the needling friend, the schemer, the joke. Now, after The Notebook and his Oscar nomination and forays into music and auteurism, Gosling is generally thought of differently. What writer/director Shane Black suggests with Gosling in his new film The Nice Guys is: go back and think again. There are far worse conceits on which to hang a movie.
By: Daniel Reynolds When thinking about Superman, easily one of the most iconic characters of all time, I find I have to battle a certain cynicism. To my mind, Superman […]
By: Daniel Reynolds Look, I get it, RZA loves kung fu movies. He grew up immersed in the grindhouse theatres of New York City and clearly has strong feelings of […]