It takes some doing to surprise in a bank heist movie. We’ve seen it all before — films that avoid showing the heist entirely or build to it as a climax, films where the heist turns out well or goes poorly, films with every permutation in between. There’s a lack of new ground to map out there, is my point. Hell or High Water, the latest from director David Mackenzie, makes clear from the start it knows all of this; what’s more, it knows we know it too.