The 89th Academy Award nominations were announced yesterday morning, which means we’ve had over 24 hours to sit with the news. Feeling angry yet? If not, you soon will. Because it’s time for the latest edition of the Oscar Nomination Outrage Scale (or ONOS; pronounced, as always as O NOOOOOOOS). We take rage pretty seriously around here.
There’s no real way to set a film based around grief in a tropical location. Sure, people in warm climates deal with death and sadness too, but cognitively, visually, there’s nothing quite like the cold to drive misery home. So it is in Manchester by the Sea, the delicate and powerful new film from Kenneth Lonergan. The film’s opening images are a montage of winter scenery, and of Casey Affleck’s Lee Chandler as he handles various building management duties in Quincy, Massachusetts — tossing out garbage, changing light bulbs, and shovelling snow. The snow is ever-present in Manchester by the Sea, obscuring, coating, and, in its way, marking the time. The snow sets the tone.
By: Daniel Reynolds To trace the arc of Christopher Nolan‘s career you’d have to start with a modest protractor before busting out some variation of Foucault’s pendulum. It’s impossible to […]