Real Movie Magic: The Oscars Find “Moonlight” In The End

If the Academy Awards were trying to conceive of a way to stay interesting, to keep atop the social media conversation, there were worse ways to do it. Believe me, they’ve tried — even elsewhere on last night’s broadcast. Thanks to a stunning last second reversal in the Best Picture category, everyone is talking about the Oscars this morning. There’s a lot to unpack here. (Not least of which: How did Warren Beatty end up with an Oscar in his hand as he retook the mic in the show’s final moments?) And look at that, we’ve largely set aside the award show’s more, uh, problematic elements.

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“La La Land” Sells Half the Dream: A Review

In an extremely roundabout way, this is where I’ve come to with director Damien Chazelle and his new film La La Land. It too is filled to burst with passion, expressing as it does a love for things from a bygone era. It’s clear Chazelle cares a great deal about the subject matter and wants very much to tell you about it. Despite his earnest belief in the film, I’m not sure that’s enough of a reason to care.

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