Acknowledging that there is only so much time to watch only so many movies, here are a few films to consider from the past six months of 2016. It’s the annual tradition of the Same Page Midyear Movie Review.
There’s a governing principle in screenwriting that says a scene should work to raise a question or answer one. The best scenes strive to do both. In this way, a movie pulls the viewer along, introducing new information to urge us from one moment to the next. Good films make us want to know more. There’s an implicit trust that forms here, a pact between audience and filmmaker; the film reassuring that if you give up your time, you will be rewarded with something. But when a movie tosses out more questions than it answers, when its mystery grows beyond proportion, the audience is asked something slightly different. Here, faith is required.
By: Daniel Reynolds What we talk about when we talk about Die Hard is usually the iconic performance by Bruce Willis as supercop hero John McClane, and, really, that’s fair. […]
By: Daniel Reynolds When thinking about Superman, easily one of the most iconic characters of all time, I find I have to battle a certain cynicism. To my mind, Superman […]
By: Chris Dagonas “Mud” is an enduring sort of film. It could have taken place in the 1870s just as easily as it has in the 2010s. Many critics have […]