And so we have it now: Wonder Woman, the film built around the third of DC’s classic trio of characters (along with Batman and Superman). It’s the first of its kind, and already marked as a success (after a $100 million opening weekend), which of course suggests a bright future for more. But, as with its male-led predecessors: is this necessarily a good thing?
With the nature of TV nowadays, driven by an increasing number of streaming and on-demand services, the institution of the Saturday morning cartoon feels like something of a relic. Regardless of the era though, it does feel like something hard-coded into childhood memory; every kid has a story. After five days of getting up early for school, Saturday morning — a time when adults could not be bothered — was a special time. The house often quiet, the demands of the day (such as they were) far away. Go figure the best TV shows around made sure to air in those golden hours.
When you hear of the “good old days”, it’s usually from some middle-aged white man — an uncle, perhaps — who wants to tell you how things were just better then. I suspect you’ve heard this spiel before, around the kitchen table, in a boardroom, or online. This hypothetical man usually leaves out that it wasn’t such a great time for many people. And yet, how much art, how many books and albums and retrospectives continue to be released that lionize, in some way or another, this alleged golden era?
There are many things in Batman v Superman: Dawn of Justice that will instil a deep sense of disappointment. By far the most egregious thing is the piss poor representation of women in this film.
Yes, they’ve done it. After all the interminable hours of filming, the painstaking special effects and post-production work, the waves of advertisements, the man-hours spent marketing and doing press junkets, the rolling thunder of pre-release hype and anticipation, it is here: A film that makes you feel immensely sorry for Ben Affleck. Or, as it’s more commonly known: Batman v Superman: Dawn of Justice. We made it.
By: Daniel Reynolds To see all of the Same Page’s Summer Sight and Sound series–a look at the biggest films of each decade from 1975 on–check out Part 1 here and […]
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